Documenting Resistance: Abortion Rights in Poland and the Housing Crisis in Cape Town

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Karolina Domagalska (middle) shooting documentary Abortion Dream Team. ©Karolina Jackowska

What is the power of documentary film to drive social change? This week’s NARA podcast guests, documentarians Karolina Domagalska (Abortion Dream Team) and Miki Redelinghuys (Mother City), answer this question by turning their cameras on activist movements in Warsaw and Cape Town.

Hear the episode by pressing the PLAY button on the website player or listen on the Spotify app:

Karolina Domagalska’s film Abortion Dream Team follows activists in Poland assisting women facing unwanted pregnancies.

Miki Redelinghuys’s film Mother City (co-directed with Pearlie Joubert) depicts the social housing movement 'Reclaim the City', led by the activist Nkosikhona Swortbooi, who also speaks in the episode.

These conversations, hosted by NARA's journalist Nojus Setkauskas, were recorded this March at the human rights film festival Movies that Matter in the Hague, the Netherlands.

Baywatchers in Poland: Abortion Dream Team and the fight for bodily autonomy

In 2020, former journalist and first-time filmmaker Karolina Domagalska picked up a camera as tens of thousands of people in Poland took to the streets protesting against a near-total abortion ban introduced by the country's Constitutional Court. Women’s Strike became the biggest civil resistance movement in democratic Poland.

Eventually, she made a film that follows a group of Polish activists, who provide women with information via a phone helpline, supporting them in performing self-managed abortions at home, and directing them to clinics abroad. The film poster depicts the activists as lifeguards from the 90s TV series Baywatch, joking that the activists are coming to save Poland.

Film poster of “Abortion Dream Team” (2024)
Film poster of “Abortion Dream Team” (2024)
'Abortion Dream Team talks about abortion in a positive manner. They use colour, glitter, humour – and this annoyed many people. It caused what I call moral panic,' says director Karolina Domagalska. ©Karolina Jackowska
'Abortion Dream Team talks about abortion in a positive manner. They use colour, glitter, humour – and this annoyed many people. It caused what I call moral panic,' says director Karolina Domagalska. ©Karolina Jackowska

The film portrays not only society's polarisation around the topic but also reveals the psychological toll on activists who assist around 94 women per day.

'We lost a lot of time [trying to] bring two sides together – when you talk ideology, you’ll never agree' – Karolina Domagalska

Women’s Strike in 2020 became the biggest civil resistance movement in democratic Poland. Film still.
Women’s Strike in 2020 became the biggest civil resistance movement in democratic Poland. Film still.

The sold-out screenings of Abortion Dream Team at Movies that Matter festival were followed by many laughs in the audience, which was one of Karolina’s main goals. She added that during the film festival she found a connection with the audience members from countries such as Colombia or South Africa.

Abortion rights remain an evolving issue in Poland. The country’s newly elected president, Karol Nawrocki, holds a firm stance against it, meaning that the hopes to liberalize abortion rights are put on hold.

'It was our first film, we were first-time filmmakers, and we didn't know anything. The only thing we knew was that we knew how to tell stories because we were both journalists,' says Karolina (in the middle), pictured together with the film's team. ©Karolina Jackowska
'It was our first film, we were first-time filmmakers, and we didn't know anything. The only thing we knew was that we knew how to tell stories because we were both journalists,' says Karolina (in the middle), pictured together with the film's team. ©Karolina Jackowska

Reclaiming the city: Housing and racial justice in Cape Town

Cape Town’s gentrification crisis is stark. Over 23,000 homes have been turned into Airbnbs. Together with the influx of digital nomads, this has raised the property prices, leaving most Capetonians unable to afford to live in the city. 'This [issue] is not theoretical for us,' says activist Nkosikhona Swartbooi, the protagonist in the film Mother City. 'It's one that has a deep, violent history of displacement and dispossession.'

The apartheid government in the 1960s started forcefully displacing around 3.5 million Black Africans from the city to the outskirts of Cape Town. This history shapes the city's social structure to this day.

Housing activist Nkosikhona Swartbooi (middle) and director Miki Redelinghuys (right) attending Mother City film Q&A at the Movies that Matter festival in the Hague. ©Jassir Jonis
Housing activist Nkosikhona Swartbooi (middle) and director Miki Redelinghuys (right) attending Mother City film Q&A at the Movies that Matter festival in the Hague. ©Jassir Jonis
Nkosikhona Swartbooi speaking at one of the Reclaim the City protests in Cape Town. He becomes the narrator of Mother City documentary. Film still.
Nkosikhona Swartbooi speaking at one of the Reclaim the City protests in Cape Town. He becomes the narrator of Mother City documentary. Film still.

In 2016, the activists from the movement 'Reclaim the City' occupied the abandoned Tafelberg school in Sea Point, Cape Town, "probably the primest piece of land on the African continent", after it was sold to a private developer despite earlier promises to convert it into affordable housing. Over the next six years, documentary filmmaker Miki Redelinghuys and journalist Pearlie Joubert had been chronicling some of the most critical moments in Cape Town’s housing struggles.

Thousands marched towards the Cape Town Civic Centre on Human Rights Day 2018 to demand land for better housing. ©Ashraf Hendricks / GroundUp
Thousands marched towards the Cape Town Civic Centre on Human Rights Day 2018 to demand land for better housing. ©Ashraf Hendricks / GroundUp

'To a large extent, Cape Town's success is what's hurting its people' – Miki Redelinghuys

Scores of people are left homeless after being evicted for occupying land in Makhaza, Khayelitsha in Cape Town. ©Ashraf Hendricks / GroundUp
Scores of people are left homeless after being evicted for occupying land in Makhaza, Khayelitsha in Cape Town. ©Ashraf Hendricks / GroundUp

The documentary Mother City gives a glimpse of the 'Reclaim the City' campaign's strategic planning, as well as serious and sometimes humorous techniques used by the activists. The difficult watch expresses the emotional impact of racial and wealth inequality in present-day Cape Town.

'The film shifted the gaze of many people, specifically in Cape Town' – Miki Redelinghuys

'It's their story that we tell in the film. A group of activists under the banner of Reclaim the City, wanting to enter back into the well-located areas from which they'd been removed,' – director Miki explains. Film’s still
'It's their story that we tell in the film. A group of activists under the banner of Reclaim the City, wanting to enter back into the well-located areas from which they'd been removed,' – director Miki explains. Film’s still

For filmmakers and activists alike, human rights film festivals are significant platforms to raise awareness and foster dialogue between affected communities and policymakers. Some notable European festivals that are part of the Human Rights Film Festival Network are The One World (Prague), FIFDH (Geneva), Inconvenient Films (Vilnius) and Movies that Matter (The Hague).

This NARA podcast episode, just like an earlier conversation from Movies that Matter with filmmaker Tommy Gulliksen, captures the urgency and hope that persists in these festivals. Listen to the full episode at the player above.

Further reading:

  • On March 8, Abortion Dream Team opened AboTak, Poland’s first abortion “clinic”, right across from the Sejm in Warsaw. Read more about the activists’ fight against violent anti-abortion protestors here.

  • Amnesty International article explains the conviction of Polish activist Justyna Wydrzyńska, who was sentenced to eight months of community service for sending abortion pills to a woman in an abusive relationship.

  • “A People's Guide to Housing” by the legal team Ndifuna Ukwazi. This guide explains different types of housing and housing programmes present in South Africa.

  • Legal Geographies of “Community” in South Africa and the Tafelberg case (a children’s story). An illustrated nine-page children’s book reveals the tensions between community identity, spatial justice, and land use in post‑apartheid South Africa. (Author Sonya Cotton)

Music by Martynas Gailius.

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Nojus Setkauskas is one of the participants in the Young Journalists internship program within the PERSPECTIVES project.

Co-financed by the European Union, PERSPECTIVES brings together journalists from the Czech Republic, Germany, Slovakia, Poland, Hungary, Lithuania, Ukraine and Estonia. The journalists work together on an international editorial basis to produce publications of cross-border relevance. The cornerstones of this cooperation are editorial independence and accountability to readers. Working together, the partners strive for ethical, high-quality journalism.